What a fabulous, terrorising thing this is.īertie: Games like this have a wonderful power to draw you in, because by not giving you very much, visually or otherwise, they leave your mind with an unanswered question. Maybe you can play Mu Cartographer and maybe you can tell your friends and they will tell their friends and one day I will be enlightened. I scan the surroundings - if they are surroundings - and I feel a certain desperation that I am missing something, or passing up an opportunity to understand something, that I have already failed. I give tentative names to the objects and try to piece the fragments of story together into some sort of narrative that makes sense. I cannot resist it.Īnd so I make notes, I create theories. The promise of exploration, of a perfectly bizarre mystery to solve, is just too powerful. Prod and twist and dial and move things around on the peg board, but I always end up trying to pull everything together. Is it a weather radar? A landscape? Are we inside a body or under the ocean? The.actually what is that? This is the game, but the game is also projecting yourself into the fiction, because at the centre of your attention is that shifting mass of colour and volume. The chat box! The peg board! The twisty thing. It's one of my favourite things in all of games, an activity bear - a screen filled with buttons and mechanisms and you have to find out what each one does. Mu Cartographer is like looking down on an alien world. Available on Steam (£4) and Itch.io ($5). Mediation is a video game thing, of course - the screen, the pad, the fact that you're sitting on the sofa or leaning forward at a desk - but there can be a real skill to the shaping of it. Christian: How can a game transport you somewhere truly alien? Mu Cartographer has an answer, and it's a goodie: the trick is to keep you at a bit of a distance.
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